Bertus Pelser - Composer and sound designer
Photo: Rogier Gerritsen
Bertus Pelser is an acclaimed composer and sound designer known for his work in films, short films, art, and applications. Additionally, he serves as the Head of Studios at Amp.Amsterdam, where he works on commercial music, sound design, and sonic branding.
‘'I love working intimately with directors and creatives to craft kick-ass music and sound design to bring that extra dimension to a project. Always on the lookout for an interesting counterpoint between music and pictures from a conceptual angle, but also translating the emotions and feelings I get from a scene, choreography, or other input directly into music and sound design. Coming from a classical film-scoring background and fueled by my early interest in electronic music, jazz, and any other genre (great music is not genre-specific), I always strive to push the boundaries of music and sound design, blending these two worlds into one sonic experience.'
'It all started when I was old enough to open the kitchen drawer to grab all my mother's pans and pots and arrange them into a makeshift drum kit. I must have been four years old. From then on, my interest in music developed in multiple ways. A journey began that included My First Sony, classical piano, drums, digital audio workstations, loads of music to discover, and ultimately going to the music academy to study film composition, orchestration, and sound design.'
'Also, I'm an absolute film nerd, an amateur physicist, and a hobby philosopher.'
More with Bertus Pelser
In this video, Danny Weijermans talks about his background and his interests in music, sound, and technology.
Danny Weijermans is a composer, musician, sound designer, and sound programmer with a deep love for film and theatre.
Sunna Wehrmeijer talks about her first experiences with Hollywood and about her additional music for A Minecraft Movie and Pixar's Hoppers, among others.
Emmy- and Annie-nominated composer Sunna Wehrmeijer has scored many animated series and feature films for companies such as DreamWorks, Paramount+, etc.
Xiangming Niu talks about the film music and the related creative process of the film Kus Kus Beng Beng
At the Shared Sessions string recordings, we saw many happy, smiling composers. What makes recording real instruments such a gratifying experience?