Bertus Pelser - Composer and sound designer
Photo: Rogier Gerritsen
Bertus Pelser is an acclaimed composer and sound designer known for his work in films, short films, art, and applications. Additionally, he serves as the Head of Studios at Amp.Amsterdam, where he works on commercial music, sound design, and sonic branding.
‘'I love working intimately with directors and creatives to craft kick-ass music and sound design to bring that extra dimension to a project. Always on the lookout for an interesting counterpoint between music and pictures from a conceptual angle, but also translating the emotions and feelings I get from a scene, choreography, or other input directly into music and sound design. Coming from a classical film-scoring background and fueled by my early interest in electronic music, jazz, and any other genre (great music is not genre-specific), I always strive to push the boundaries of music and sound design, blending these two worlds into one sonic experience.'
'It all started when I was old enough to open the kitchen drawer to grab all my mother's pans and pots and arrange them into a makeshift drum kit. I must have been four years old. From then on, my interest in music developed in multiple ways. A journey began that included My First Sony, classical piano, drums, digital audio workstations, loads of music to discover, and ultimately going to the music academy to study film composition, orchestration, and sound design.'
'Also, I'm an absolute film nerd, an amateur physicist, and a hobby philosopher.'
More with Bertus Pelser
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In this short but essential video, David offers some fundamental and inspiring tips for (beginner) composers.
Film composer Daan Hofman tells us about his approach to the music for the documentary The Lions of the Tigris.
Daan Hofman is a film composer/songwriter who won the BMIM Best New Talent Award 2020 followed by a winning award at the CAIFF Scoring Competition California.
Anna likes writing melodies that quietly pull you in, the kind that linger long after the film ends.
David explains why he moved to the Netherlands, how he built a network here and how his attitude towards composing changed.