In this video, film composer Daan Hofman provides insight into his working method while composing the music for the documentary The Lions of the River Tigris. He discusses his choice of instrument, his approach to the film, and the development of the music throughout the film. The documentary The Lions of the Tigris is a remarkable film. Mosul, one of the world's oldest cities, lay in ruins after years of ISIS occupation and the devastating struggle for freedom.
In this unexpectedly hopeful film, we follow three men who seek to rebuild not only the city but also its soul. Bashar, a fisherman, returns repeatedly to his bombed-out family home, where a marble lintel carved with the two lions from the film's title is the last remaining reminder of his past. Fakhri, a flamboyant antiques collector, dreams of placing the lions at the entrance to his self-founded museum. And Fadel, a musician, revives songs censored during the ISIS occupation. Director Zaradasht Ahmed depicts a city slowly recovering from its trauma with dignity and tenderness.
Danny Weijermans shows in detail how he composed/produced the orchestral score for the documentary Galapagos: Hope for the Future
In this video, Sunna Wehrmeijer talks about episodic scoring (She-Ra and the Princess of Power) and scoring two Monster High films.
In this video, Danny Weijermans talks about his background and his interests in music, sound, and technology.
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Xiangming Niu talks about the film music and the related creative process of the film Kus Kus Beng Beng
In this second video, we take a closer look at the preparation, communication and various roles involved with a string recording session
In this first of two video’s, PK takes a look at the recording sessions organised by BCMM for their members
The 1st MSCN International Film Music Prize is a call for emerging and early-career film composers.
Participate in the research into fair compensation for Dutch music makers and rights holders in the age of generative AI!
David Dramm’s music is performed in concert halls, festivals and clubs as well as being used by choreographers, film and theater makers throughout Europe.